Maureen wasn’t supposed to be the new beginning. She was supposed to be the end.
She first appeared as a worn out and nameless waitress as the subject of a flash fiction piece I wrote over fifteen years ago – my attempt to tell the story of a tuxedo-clad woman I saw standing on a Staten Island bus stop in the early afternoon. I moved on to other work, to other stories and characters.
The waitress hung around through all that, appearing in various expanded versions of that first story. She materialized under a different name in another story, fleeing her job in a diner and an abusive lover on a stolen motorcycle. In my grad school thesis, she appeared in yet another incarnation as head cocktail waitress in a Caribbean resort, when she first started carrying a knife.
She makes an extremely brief walk through appearance on Staten Island in my second novel. That was when she got her name. Maureen Coughlin. I’d always liked her, and thought she had depth and resonance as a character. I’d suspected she would not be satisfied in short stories and supporting roles, but I had yet to build the right place for her.
Now, with her in the lead for me third novel, I’d found a place for her in a story about a woman who sees something she shouldn’t have. I was thrilled when, finally, Maureen came into her own enough to carry her own novel. I was excited for this character I’d known for so long to have her time in the spotlight.