The first edition of Pulp Modern was an extremely pleasant surprise, populated with an array of short stories by both authors I knew as well as introducing
The past year seems to have been a bonanza for short story collections, and editor Luca Veste proves that last is certainly not least with his collection
Over the past nine days I’ve reviewed four short story collections (Crime Factory: The First Shift, West Coast Crime Wave, The Chaos We Know, and Noir at the Bar),
Birthed in the mean streets of Philly, escaped to the back alleys of St. Louis, recently spread to the dark side of the City of Angels, there’s a disturbing
October 29th — Minotaur
December 24th - Berkley
