Like a fine wine, Tod Howarth (Frehley’s Comet, Cheap Trick, Ted Nugent) demonstrates with his new CD Opposite Gods that in the 10 years since his last solo rock CD
West of Eight was released he has improved with age, becoming even more nuanced and complex.
A long time coming, Opposite Gods was truly a labor of love. Tomorrow I’ll be posting an interview I did with Tod about the album, but to give you an idea of the herculean task making Opposite Gods was here’s a quote from the liner notes: “Produced, recorded, mixed, and mastered under dire conditions by me… the variables took their toll.”
And he does mean by him. As with his prior releases, being the extremely talented musician that he is Tod once again is responsible for everything you hear coming from your speakers: guitars, drums, bass, keyboards, all vocals… the man is literally a one man band. And a damn good one at that!
Though the 13 track album is tip-top from start to finish, there are some songs that stand out to me for one reason or another. So, a few highlights:
“Drown” – As with any rock album worth its salt, Opposite Gods opens with an absolute burner. “Hello all you bitches, in your glossy magazines… you’re the entertainment for the feeble minded.” Hello, indeed! “Drown” is a scathing, yet lyrically playful, indictment of the cult of personality in America that makes celebrities of people whose only ‘talent’ is being famous: “Just icons, all image.” Yet despite the playfulness, there’s also an understandable sense of irony to the song; how could there not be when a song about the talentless famous is being performed by a man dripping with talent who literally plays every instrument, sings every vocal, and produced, mixed and mastered the song himself to boot. I’ve always thought you can tell a lot about how an album is going to go based on the opening track, and with that in mind “Drown” certainly sets the pace.
“Opposite Gods” – Two songs later in the album’s title track, however, Tod shows he’s more than capable of shifting gears from playful and sarcastic to tackle the always serious and charged topic of faith and religion. Given that most major religions have the same basic tenets at their core, Tod wonders how there can be so many different – and conflicting – paths one can supposedly take to get from Point A (leading a just life) to Point B (spiritual reward). Even more puzzling, how can any religion justify killing others in the name of its God? “The reasons they all fail me, regardless of faith, and with opposite gods there’s just no harmony.” Fitting for a song about conflict and multiple paths the lyrics are deeply layered, occasionally ‘step’ on each other, and many are