It was an honor to work with Ajay Nair on One Woman, Two Lives, a multigenerational saga set in late 18th century Southern India that follows the struggles of the women in one family as they fight to deal with the oppression of the caste system imposed on them, both by society at large as well as from within their own family.
“Whether you’re putting your stuff out there on your own or sending it out into the world of agents and publishers, you need to have your work as close to perfect as humanly possible. I’ve worked with Elizabeth on over a dozen published books. Each time, I found her to be extremely professional, timely and she provided a great knowledge of the genre of crime fiction, as well as fixed my grammatical travesties. I could go with any number of people to correct my spelling, but Elizabeth gives my writing a bit more that I feel really helps push it to its final stage.” — Mike McCrary
“Choosing an editor is tough. It’s supposed to be. You want people on your team who are as passionate about your work as you are. Elizabeth edited my novels The Prison Guard’s Son and Mirage Man, and she consistently delivered. She surprised me several times with her comments and level of detail. In short, she knows her stuff, and she made me look like a better writer. Elizabeth will provide the critical eye that you need. She’ll ask the right questions and poke holes in your work. And then she’ll help you fix it. And that’s what a damn good editor should do.” — Trace Conger
“I will always get editorial help from Elizabeth, not only because of her help in improving my writing but also for her encouragement. With her clear and perceptive feedback, my story became simpler. It became tighter. It became much better than what I had thought was a final draft. I feel lucky I chose to work with Elizabeth. From now on, I won’t ever consider a book finished until I have gotten Elizabeth to look it over.” — Scott McDonald
“Whether you’re putting your stuff out there on your own or sending it out into the world of agents and publishers, you need to have your work as close to perfect as humanly possible. I’ve worked with Elizabeth on over a dozen published books. Each time, I found her to be extremely professional, timely and she provided a great knowledge of the genre of crime fiction, as well as fixed my grammatical travesties. I could go with any number of people to correct my spelling, but Elizabeth gives my writing a bit more that I feel really helps push it to its final stage.” — Mike McCrary
