PLAYLIST FROM HELL: A guided tour through my imaginary soundtrack to Hell & Gone
Twenty years ago, when I picked up John Skipp and Craig Spector’s eco-horror novel The Bridge, I was thrilled to discover they included a playlist. “The following albums, by the following artists,” they wrote, “provided big chunks of sonic background during the writing of this mind-movie.” My 19-year-old self was thrilled that I was listening to a lot of the same bands—Nine Inch Nails, Public Image LTD., Beatles, Red Hot Chili Peppers—as my splatterpunk heroes. Of course, Skipp and Spector (going for brownie points, no doubt) also recorded an actual soundtrack for the novel, which you could mail-order for $14.95 (CD) or $9.95 (cassette). See, the Boys were also longtime rock musicians, and could do that sort of thing.
I’m a musician, too, having toiled in bar and wedding bands during my teenage years. And while music remains a huge part of my creative life, I’m not about to stop writing to go off and record an original soundtrack. Though if I did, I would totally make it available on CD and cassette.
Instead, here’s the next best (read: lazy) thing: a tour through the songs that were my “sonic background” while writing Hell & Gone—the second in the Charlie Hardie series, and my twisted version of a prison novel. Some of these songs put me in a certain mood; some others reminded me of particular characters. And I’ll admit it; some of these are included simply to amuse myself. It gets awful lonely in the basement office…